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Factors Determining How to Best Start a Story

The first words of your story whether verbal or in writing is of great importance. They are the determinant of the flow and end of a story. A start provides the audience with a clue of what the story is about thus capture their attention to reading the story. It as well helps you build on the story. Authors are embarrassed on realizing they began a story wrongly only to get stuck in the middle of writing it. This can be much costly in terms of time, effort and many resources involved in writing. When selecting the opening words, you should be entirely devoted to ensure a great start. As much as it may be a hard task, you can apply the below guidelines on how you should start a story.

Ensure you create momentum. The foremost rule of opening lines in a story is that they should have elements that make up an entire story. An opening line should possess a unique voice, point of view and some clue of characterization. Unless one has a reason of withholding, the coming to an end of the first paragraph should reveal what a story revolves around.

You can resist the temptations to start early. There exist temptations of starting a story prior to the start of action. This is explained by our inability to allow a story create a momentum of its own. We otherwise try to force the narrative to go how we want it to be. Aspects such as a character waking up to a day that will be challenging can be included in flashbacks.

Do not overtake your readers. Among the major challenges is starting a story with a line that is confusing to readers at the beginning. A number of the readers who are confused can become completely uninterested in the rest of the story. However, it can apply well since additional information is available as one continues to read. Only ensure it make sense to readers with or without knowledge acquired later in the story.

You can try a mysterious start. While this has a possibility to lose some readers, presenting a puzzle is much effective especially in instances where the author is as well puzzled. This develops partnership of the reader and the narrator in certain ways. Questions with no answers can engulf the entire story.

Keep talks minimal. If you need to begin the story with a conversation, note that you can confuse some readers. A good way to maneuver through is to introduce one dialogue then provide explanations before carrying on with the next dialogues. A long set of dialogues at the start of a story present a hard task trying to follow.

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